Friday, November 26, 2010
Ezel Fourth Birthday Part Two @ Home
Ezel Fourth Birthday Part One @ Neway Karaoke
Wednesday, November 17, 2010
Second Attempt for Sweden Beef Meatballs
| Ken's portion |
| Close-up of Ezel's portion |
Sunday, November 7, 2010
Sweden Dinner - Beef Meatballs
| Ken's portion |
| Ezel's portion |
| My portion |
| My portion for tomorrow lunch |
Wednesday, October 20, 2010
Furniture for Ezel's Room and Living Room
Saturday, August 14, 2010
Ezel's First Short Hair Cut
| Flocks of Ezel hairs |
| Posing with her new hair style |
| Another posing after bath |
| Close-up |
Monday, May 10, 2010
Improving.....
Sunday, May 9, 2010
The Story Continues
The Beginning is Always the Hardest
A Night Without Ezel
Sleep Alone
Monday, January 4, 2010
Ezel First Day at Kindergarten
| Ezel in her kindergarten uniform |
Friday, December 18, 2009
Port Dickson-Malacca Short Trip
| One of the rest house along the beach |
| Ezel sitting on a rock |
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| Ezel nagging to carry as she is tired |
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| Waiting at the shop walkway due to rain |
Thursday, November 26, 2009
Ezel Third Birthday at Genting Highlands!
Sunday, November 1, 2009
November 2009 Finally Arrive!
Why I am so excited about it? It is because of three (3) things below :
1) Ken's birthday on 18 November
2) Ezel's third birthday on 26 November
3) Twilight Saga : New Moon premiere on 20 November (not sure about Malaysia actual screening date yet)
In dedication to Twilight Saga : New Moon premiere and addication to it, I decided to make my own desktop calendar using New Moon poster. I usually make my own desktop calendar theme using Snoopy character because I like Snoopy. Secondly, I am unable to find much the design I really wanted. Thus, I created and design my own.
However, this month, November, I decided to change a bit. Instead of using Snoopy, I uses New Moon poster! Here is the outcome and feel free to download if you want. Sharing is caring.....
Monday, August 24, 2009
Dance Indeed Can Be a Teaching Tool - Inspired by Love N Dancing
The Synopsis
The movie is about a deaf dancing teacher, Jake Mitchell, who was in past is a twice World Swing Dance Championship. He gave up dancing about seven (7) years ago due to the unfaithful relationship his partner done to him. He then become a dance teacher as well as motivational speaker who travel around the country to speak to the student on his disability that did not stop him of being a dancer once. On the other hand, Jessica Donovan is a English teacher for disinterested, upper class middle school kids who has a dreams of Broadway when she was a young dancer. Her life is boring as she had a fiance, Kent who is work-a-holic, who she claims that he is having an affair with his work and cares more about making money rather than making her happy. Both Jake and Jessica met a school assembly whereby Jessica is attracted to him due to his dance performance with his former partner, Corinne. Jessica enrolled herself and Kent into Jake's private class for their wedding. As Kent is more concern about making money, he did not turn up of any of the classes leaving Jessica alone. Both Jake and Jessica connection gets better and Jake have the feeling of competing again. Jake asks Jessica if she would like to be his partner and Jessica agrees. Both of them train hard and Jessica finally realize that dancing actually make her happy and she groomed well. She looks more beautiful, confident and elegant! Finally, she broke up with Kent. Both Jake and herself finally got together when Jake expressed his love for her before the start of the competition.From the movie, my question is well answered and proven. As mentioned in the previous post, "Can Dancing be a Teaching Tool?", a guy can learn how to touch a girl in a respectable way. While in Love 'N Dancing, a gal can learn how to be beautiful, confident, elegant and be respectful from the way they walk, talk and touch. All these can be learned through dancing.
Dance is indeed can be a teaching tool not to mention the arts and history behinds it. Every dance has it arts value, for example, the Flamenco dance originate from Spanish is to express deep feelings and show-off the dancer spirit. The dance helps people to express themselves in another way that we normally does.
Sunday, May 10, 2009
Happy Mother's Day
Ezel is growing older now but she still do not know what the purpose of today or know what day is today. However, she seems to know how to behave herself and did not make me angry much at least.
I keeps teaching her to say "Happy Mother's Day" but instead she always speak out "Happy Birthday" which she already knew. *sigh*
Hopefully by next year, she is able to wish me Happy Mother's Day.
Thursday, February 12, 2009
Wednesday, November 26, 2008
Happy Second Birthday, Ezel!
Happy Birthday, Ezel! You are two (2) years old now!
I feel very guilty this year as I am not able to celebrate Ezel birthday together with her as she is at Slim River with Ken. She do not even get a piece of cake. No one sings her birthday song. I feel very sorry for her.
I called Ken once I reached home. Ezel is with him. I sang her birthday song but she did not make a sound or sing with me. I think she been wondering what song am I singing to her. She just, as usual, mumbling what crossed her mind at that moment.
Whenever her birthday is near, I would get flashback of memories during my labour and delivery of her. I can remember so well on the time I gave birth to her and every moments and things that happend during and after her birth. Is this so called the mother instinct?
Anyway, happy birthday, darling! Go up in good health and be a smart girl!
Mummy and Daddy love you so much! *muaks*
Thursday, October 30, 2008
Can Dancing be a Teaching Tool?
I watched this movie called "Take the Lead" on 8TV few hours ago. It is about dancing and how the lead character in the movie, Pierre Dulaine teaches a bunch of detention students to dance. Then, I read from Wikipedia that Pierre Dulaine actually developed an educational technique known as The Dulaine Method: Changing Lives Through Dance. It is something like the Montessori method and the Suzuki method but Dulaine incorporated a different approach and philosophy.
What makes these methods so successful is that they combine a clear and compelling philosophy, rigorous and systematic training for those adults who will instruct the children, a program design that inherently coincides with the developmental needs of the children to be trained, and the ability to replicate the program on a large scale.
The Montessori method, with a philosophy grounded in guiding a child’s inner self to perfection, is completely focused on the emerging developmental needs of the child informing the Teacher about when to introduce certain learning experiences. The Suzuki method functions similarly: with a philosophical goal of bringing beauty to the spirits of young children, it builds on the essential developmental drive within young children for language acquisition.
Both the Montessori and Suzuki methods require extensive and rigorous training for their teachers. And both methods are indeed being replicated on a large scale.
Dancing Classrooms also combines a clear and compelling philosophy with a rigorous and systematic adult training model that dramatically coincides with the developmental need within 10-11 year old children to reinforce their social skills just prior to the onset of puberty. And Dancing Classrooms is now being replicated throughout the US and Canada with requests from several other international sites.
As with the Montessori and Suzuki programs, at the heart of Dancing Classrooms is a method – the Dulaine Method.
The Dulaine Method philosophy
Respect & Compassion: At the very core of the Dulaine Method philosophy is the essential respect that goes into being a Lady and being a Gentleman. In a time when we bemoan the loss of civil discourse and our society seems to become coarser by the day, Dancing Classrooms is a program that demands that the children not only treat others with respect but also encourages the children to respect themselves.
Coupled with respect is compassion. Perhaps it is Pierre’s own childhood that predisposes him to walk into a classroom full of children who struggle to believe in themselves, open his arms and heart to them, and then guide them gently along a journey that leads these young people to joy and accomplishment.
Respect and compassion are the foundational elements of the Dulaine Method. Unfortunately, very few adults know how to genuinely treat children with respect. And even fewer adults seem to remember what it was like being a child.
Being Present: Probably the most difficult skill for any teacher to learn is the ability to be completely in the moment when they are teaching. Children in particular are extremely aware of when the adult in charge (parent, teacher, coach) is not really there; and when a child senses that distance, woe be unto that adult.
Pierre’s ability to “be here now” enables him to observe every subtle nuance of student, and group, behavior. He can see when a child is nervous, not paying attention, when the group is becoming antsy and he can respond to those issues immediately, thus keeping the classroom experience flowing. Being present also allows Pierre to express his own positive emotions towards the children at precisely the moment the children need that affirmation.
Creating a Safe Place: Asking children to take the extraordinary risk of embarrassing themselves in front of their peers is precisely what Dancing Classrooms does. And the only reason that the children are willing to take this risk is because Pierre has perfected a way to make that experience safe.
A Dancing Classrooms class is a place in which everyone is equal: the students, the Teaching Artist, and the elementary school staff that are participating. In modern jargon we call this creating a therapeutic milieu, an environment so different from these children’s normal daily environment that simply being in that room and being part of that collective group experience changes that child.
Command & Control: Clearly, if you are going to move 25 children through twenty 45 minute classes and have them successfully learn seven dances, you need order and discipline. Pierre is in command of the class from the moment he begins until the moment the children leave the room.
An essential part of the Dulaine Method is developing the craft of managing the Group. When teachers are being taught how to work with children their training is invariably focused on individual child development. Rarely, if ever, are student teachers taught about group dynamics and how to manage a group of children. In many ways it is Pierre’s innate understanding of how to use the Group to help the Individual that is the glue that holds the program together. The ability to remain in absolute control of the Group while nurturing the children is one of Pierre’s greatest skills.
Language: Body & Verbal Language, both body and verbal, are the great connectors in Dancing Classrooms. Pierre’s entire physical affect is one of openness, warmth, and genuine affection for the children. His verbal repertoire is a consistent barrage of positive comments. There is no denying that when Pierre combines his body and verbal language he is a force the children simply cannot resist.
Humor & Joy: And last, but by no means least, Pierre brings humor and joy to the teaching experience. Humor is perhaps the most difficult, yet powerful teaching tool for a teacher to master. Gentle humor can help a shy child become less self-conscious; humor with that same child handled poorly can make him retreat and never come back out. As clichéd as it sounds, Pierre allows his inner child to fully emerge when he is teaching. He is playful, he is present, and the children can sense that he is just plain happy to be with them. "He also has this little habit of playfully slapping the students at Gateway Academy with his tie.
Being in such a safe place, where the boundaries are clear, the teacher is fully present, where respect and compassion reign – these are the elements that bring joy into the lives of the Dancing Classrooms children. And, as one Teaching Artist states:
"Dancing Classrooms is not about teaching ballroom dancing. The dance is a tool for getting the children to break down social barriers, learn about honor and respect, treat others carefully, improve self-confidence, communicate and cooperate, and accept others even if they are different."
After reading the above, I thinked of Ezel as she likes to dance. It would be great if she able to learn all the above skills mentioned thru her beloved activity, dance. I wonder if Malaysia have this Dancing Classroom.






